Selected Projects

2024

Texte zur Kunst #135—Country

September 22, 2024

Texte zur Kunst #134—Sculpture

June 15, 2024

Sunah Choi Monograph

May 16, 2024

2023

BLACK LAND, RED LAND—RESTITUTE: Interdisciplinary Festival

December 21, 2023

Texte zur Kunst #132—Lust

December 15, 2023

Dix and the Present—exhibition catalogue for Deichtorhallen, Hamburg

October 1, 2023

Texte zur Kunst #131—Reviews

September 15, 2023

On Withdrawal: Scenes of Refusal, Disappearance, and Resilience in Art and Cultural Practices

July 13, 2023

2022

Texte zur Kunst #128—Art History Update

December 15, 2022

Leylâ Gediz, Camada a partir do Plano de Fundo/Layer from Background

December 1, 2022

Why Art Criticism? A Reader

July 13, 2022

Texte zur Kunst #126, June 2022—Trauern/Mourning

June 15, 2022

Texte zur Kunst #125—Genres and Gestures of Dissent

March 15, 2022

2021

Texte zur Kunst #123—Neid/Envy

September 15, 2021

Texte zur Kunst #122—Figuration

June 15, 2021

2020

Porous City: Thresholds in Urbanity

August 28, 2020

Texte zur Kunst #118—You Might Also Like

June 15, 2020

Texte zur Kunst #117—Property/Eigentum

March 15, 2020

2019

Texte zur Kunst #116—Evil

December 15, 2019

Mississippi in the Anthropocene—F.A.Z.

October 29, 2019

Texte zur Kunst #115—Literatur

September 15, 2019

Texte zur Kunst #114—The Sea

June 15, 2019

Texte zur Kunst #113—Diskriminierung/Discrimination

March 15, 2019

2018

Texte zur Kunst #112—Noise/Silence

December 15, 2018

Texte zur Kunst #110—Performance Evaluation

June 15, 2018

2017

Texte zur Kunst #105—They Are Us/Wir sind ihr

March 15, 2017

2016

Texte zur Kunst #105—Das Individuum/The Individual

December 15, 2016

2015

Texte zur Kunst #100—The Canon

December 15, 2015